Introduction:

“Reach Out I’ll Be There,” an iconic anthem of unwavering support and devotion, was recorded by the legendary American vocal quartet The Four Tops. This timeless classic was officially released as a single on August 18, 1966, on Motown Records. It later served as the title track for their fourth studio album, Reach Out, which was released in July 1967. The song is a quintessential example of the Motown Sound, characterized by its smooth harmonies, sophisticated arrangements, and a blend of soul, R&B, and pop influences. It embodies the distinctive musical style crafted by the celebrated songwriting and production team of Holland–Dozier–Holland (Lamont Dozier, Brian Holland, and Eddie Holland).

“Reach Out I’ll Be There” stands as one of The Four Tops’ most significant achievements and is widely considered their signature song. Its impact was immediate and profound, solidifying their status as one of Motown’s premier acts. The single rapidly ascended the charts, reaching number 1 on the US Billboard Hot 100 and the US Billboard R&B chart, holding the top position for two weeks on both. Its success wasn’t confined to the US; it also became a massive international hit, notably topping the UK Singles Chart for three weeks, making it Motown’s second UK chart-topper after The Supremes’ “Baby Love.” The song’s passionate vocal performance by lead singer Levi Stubbs, delivered with a raw urgency and emotional intensity, coupled with its intricate musical arrangement featuring a distinctive piccolo and flute introduction, contributed to its immense popularity and critical acclaim. Its enduring legacy is further underscored by its inclusion in various “greatest songs” lists, including Rolling Stone’s “500 Greatest Songs of All Time” and its selection for preservation in the National Recording Registry by the Library of Congress. Its timeless message and powerful delivery have led to numerous covers by a diverse range of artists across different genres, cementing its place as a true classic of popular music.

Video:

You Missed

When Alan Jackson Chose Honor Over Applause: The night Alan Jackson quietly put his career on the line for George Jones is still spoken of in hushed, reverent tones. When the Country Music Association decided to trim a legend’s voice to fit a TV schedule, Jackson made a decision that echoed far beyond the stage—one that would forever define integrity in country music. It was the Country Music Association Awards in 1999, a polished celebration of Nashville’s finest. But beneath the lights and rehearsed smiles, something felt wrong to those who truly understood country music’s soul. The CMA had invited George Jones, the immortal “Possum,” to perform—then asked him to cut his song short. The song was Choices, a raw, unfiltered reflection of regret and redemption. Jones, weathered by life and fiercely proud of his art, refused. After decades of singing truth straight from the heart, he would not compress his story for the sake of television timing. When Jones was pulled from the performance, Alan Jackson stepped onto the stage. Instead of following the script, Jackson did the unthinkable—he stopped mid-song and sang the chorus of “Choices.” No announcement. No explanation. Just respect. In that moment, the room went still. It wasn’t rebellion—it was reverence. A younger star reminding the industry that country music was built on honesty, not convenience. And sometimes, the bravest thing an artist can do is stand still and let a legend be heard.