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“HE WAS A STRUGGLING SONGWRITER WHO KNEW WHAT LONELINESS FELT LIKE — BUT WHEN JOHNNY CASH SANG KRIS KRISTOFFERSON’S ‘SUNDAY MORNIN’ COMIN’ DOWN,’ ONE SONG HELPED CHANGE THE COURSE OF HIS LIFE…” Before Kris Kristofferson became one of America’s most respected songwriters, his future in music was far from certain. A former Army officer and Rhodes Scholar, Kris had walked away from a promising military career to pursue songwriting in Nashville. He worked difficult jobs, including as a janitor at Columbia Records, while struggling to get his compositions noticed. During those uncertain years, he wrote “Sunday Mornin’ Comin’ Down,” a deeply personal song about loneliness, isolation, and the emptiness of a Sunday morning. Ray Stevens recorded the song in 1969, but Johnny Cash’s version brought it to a much larger audience. In 1970, Cash performed it on national television and released a recording that reached No. 1 on Billboard’s country chart. The song later won the Country Music Association’s Song of the Year award. For Kristofferson, it was a defining breakthrough. A man who had once struggled to make Nashville listen had written a song that made America stop and feel the loneliness behind every word.

Introduction: Before Kris Kristofferson became one of America’s most celebrated songwriters, he was a man chasing a dream that seemed increasingly uncertain.…

Oldies Musics

JOHNNY MATHIS COULD SING FOR A LAS VEGAS HOTEL FULL OF GUESTS — BUT HE WASN’T ALLOWED TO STAY THERE. In the 1950s, Johnny Mathis was becoming one of America’s most admired young singers. His records were selling, his concerts were attracting audiences, and his beautiful voice was opening doors across the country. But in Las Vegas, he encountered a painful contradiction. He could entertain guests at a major hotel, yet racial segregation meant he had to sleep elsewhere. Johnny remembered questioning why he couldn’t stay in the very building where he performed. The answer was simply that he had to stay across the railroad tracks, in the area designated for Black people. Years later, he reflected on that injustice and the pioneering Black entertainers who had helped make his career possible. Fame had opened many doors. Prejudice had kept others firmly closed.

Introduction: In the 1950s, Johnny Mathis’s extraordinary voice was winning over American audiences. Yet behind the applause and success lay a painful…

Oldies Musics

“SHE SPELLED OUT ONE HEARTBREAKING WORD SO A LITTLE BOY WOULDN’T UNDERSTAND — AND WHEN TAMMY WYNETTE SANG ‘D-I-V-O-R-C-E,’ MILLIONS OF BROKEN FAMILIES HEARD THEIR OWN STORY…” In 1968, Tammy Wynette recorded a song that captured one of the most painful moments a family could experience. Written by Bobby Braddock and Curly Putman, “D-I-V-O-R-C-E” told the story of a mother preparing to separate from her husband while trying to protect their young son from the truth. Instead of saying the word divorce aloud, the parents spelled it out, hoping the child wouldn’t understand what was happening. The lyrics were simple, but their emotional weight was enormous. Tammy’s deeply expressive voice brought the story to life, making listeners feel the sadness of a family coming apart. The song reached No. 1 on Billboard’s country chart and became one of her signature recordings. For Tammy, whose own personal life included difficult marriages and divorces, its themes carried a particular resonance. But the song’s power extended far beyond one singer’s experiences. “D-I-V-O-R-C-E” wasn’t just a country hit. It was a heartbreaking reminder that when a marriage ends, the smallest hearts can carry some of the greatest pain.

Introduction: Some songs tell a story. Others make listeners feel as though they are living it. In 1968, Tammy Wynette delivered one…

Oldies Musics

“THE WORLD THOUGHT IT WAS A LOVE SONG ABOUT A BROKEN HEART — BUT DOLLY PARTON WROTE ‘I WILL ALWAYS LOVE YOU’ FOR A MAN SHE WASN’T IN LOVE WITH, AND THE GOODBYE CHANGED HER CAREER FOREVER… In 1973, Dolly Parton faced one of the most difficult decisions of her career. For years, she had performed alongside Porter Wagoner, the country music star who helped introduce her to a national audience through his popular television show. But Dolly had dreams of building a career on her own. When she decided it was time to leave, the conversation wasn’t easy. Porter had played an important role in her success, and their professional relationship had become increasingly complicated. Dolly struggled to explain her feelings until she turned to the language she understood best: music. She wrote “I Will Always Love You,” a heartfelt farewell filled with gratitude, sadness, and the courage to move forward. The song became a No. 1 country hit in 1974. Years later, Whitney Houston introduced it to an entirely new generation through The Bodyguard. But behind that unforgettable melody was never a conventional romance. It was Dolly Parton’s way of saying goodbye to someone who had helped change her life, without forgetting what he meant to her.

Introduction: To millions of listeners, “I Will Always Love You” is one of the greatest love songs ever written. Its lyrics sound…

Oldies Musics

AT 79, JOHNNY MATHIS WALKED INTO A ROOM FILLED WITH MUSIC’S BIGGEST STARS — AND LEFT THEM ON THEIR FEET. On February 7, 2015, the Beverly Hilton was filled with extraordinary talent for Clive Davis’ prestigious Pre-Grammy Gala. Among the performers were Sam Smith, Pharrell Williams, Jennifer Hudson and John Legend. Then Johnny Mathis took the stage. There were no elaborate effects or dramatic reinventions. He simply returned to the songs that had made America fall in love with him decades earlier. “It’s Not for Me to Say.” “Chances Are.” “Wonderful! Wonderful!” “Misty.” One familiar melody followed another. The response was extraordinary. The audience rose in appreciation, and his performance became one of the evening’s most celebrated moments. At 79, Johnny had reminded a room full of music legends that genuine artistry doesn’t have an expiration date.

Introduction: At a glittering pre-Grammy celebration filled with chart-toppers and industry legends, Johnny Mathis proved that timeless talent can still command a…

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Oldies Musics

FOR YEARS, EVERYONE WANTED JOHNNY MATHIS TO SING HIGH — UNTIL ONE PRODUCER ASKED HIM TO DO SOMETHING COMPLETELY DIFFERENT. In 1973, Johnny Mathis entered a Philadelphia recording studio with producer Thom Bell, the man behind unforgettable hits by The Stylistics and The Spinners. Bell admired Johnny’s extraordinary voice, but he believed there was another side of it waiting to be heard. Instead of pushing Johnny toward those soaring high notes, he encouraged him to sing in a lower, warmer register. Johnny was surprised—and relieved. Bell and songwriter Linda Creed had also spent time getting to know him personally, hoping to create songs that reflected the man behind the famous voice. The result was *I’m Coming Home*, an album blending Johnny’s romantic elegance with Philadelphia soul. It wasn’t his biggest commercial success, but Johnny later considered it among his finest recordings.

Oldies Musics

In the early 1970s, Nashville had a familiar way of making country records. Producers often controlled the arrangements, musicians, and final sound. But Willie Nelson and Waylon Jennings wanted something different. They believed country music should sound like the people who lived it — imperfect, independent, and honest. Willie found renewed freedom in Texas, while Waylon fought for greater control over his recordings in Nashville. Their friendship became part of a movement that challenged the industry’s traditions. In 1976, *Wanted! The Outlaws*, featuring Willie, Waylon, Jessi Colter, and Tompall Glaser, became country music’s first platinum-certified album. It was more than a commercial breakthrough. It proved that audiences were ready for artists who refused to surrender their individuality. Willie and Waylon went on to record unforgettable music together, including “Good Hearted Woman” and, years later, “Mammas Don’t Let Your Babies Grow Up to Be Cowboys.”

Oldies Musics

At 80, Barry Gibb Finally Reveals His 10 Favorite Songs of All Time

Oldies Musics

AFTER DECADES OF FRIENDSHIP, JOHNNY MATHIS SAID GOODBYE TO A MAN WHO HAD BEEN PART OF HIS MUSICAL JOURNEY FOR MORE THAN HALF A CENTURY. When Clive Davis died in June 2026, Johnny Mathis lost more than a respected music executive. He lost a trusted friend. Their connection stretched back to the Columbia Records years, when Davis encouraged projects that helped Johnny explore new musical directions. Through changing decades, new recordings, and an industry that rarely stood still, their professional bond endured. In 2017, they reunited creatively for *Johnny Mathis Sings the Great New American Songbook*, alongside producer Babyface. It became their final original project together. After Davis’ passing, Johnny remembered him as a wonderful confidant who had offered invaluable support and guidance throughout his career. Behind all the records and accolades was something much simpler. A friendship that lasted.