Introduction:
Sometimes, a song does not become a success when it first reaches the public. Sometimes, it needs another song to open the door. That was the surprising story behind Johnny Mathis’s early recordings, when “Wonderful! Wonderful!” slowly found its audience—and then gained fresh momentum as another romantic ballad, “It’s Not for Me to Say,” began climbing the charts.
When Columbia Records released “Wonderful! Wonderful!” on November 5, 1956, Mathis was still a promising young singer trying to establish himself in the competitive world of American popular music. The recording, featuring Ray Conniff and his orchestra and chorus, showcased the smooth, polished delivery that would eventually become his trademark. Yet its path to success was far from immediate.
The single entered Billboard’s Top 100 in January 1957, but its position fluctuated during the following months. It rose, fell, and gradually worked its way toward a wider audience. For a newcomer whose first album had attracted limited attention, the slow progress could easily have made the record seem like a missed opportunity.
Then came “It’s Not for Me to Say.”
Written by Robert Allen and Al Stillman, the tender ballad was released in February 1957 and featured in the Hollywood film Lizzie, which arrived in theaters that March. The movie connection gave the song another route to listeners, while Mathis’s restrained, heartfelt performance demonstrated just how naturally his voice suited romantic material.
Audiences responded. “It’s Not for Me to Say” climbed to No. 5 on Billboard’s Top 100 in July 1957. As the song gained popularity, listeners also began discovering—or rediscovering—“Wonderful! Wonderful!” Music trade coverage at the time recognized the unusual pattern: the earlier recording had taken months to catch on, with the newer hit helping push it toward greater success.
By July, both songs were enjoying strong chart runs. “It’s Not for Me to Say” had reached No. 5, while “Wonderful! Wonderful!” peaked at No. 17 on the same chart. Those results helped confirm that Mathis was no longer simply a promising vocalist. He was becoming a recognizable presence in American popular music.
The timing was crucial. In June 1957, Mathis made his pivotal appearance on The Ed Sullivan Show, introducing his voice to a national television audience. With two successful recordings gaining attention, he had the songs—and the exposure—to turn growing interest into lasting recognition.
The story also reveals something important about how musical careers develop. A recording can possess all the ingredients of a hit and still need time, context, and a little momentum before listeners embrace it. In Mathis’s case, one ballad helped make room for another, and together they introduced audiences to a voice that would define romantic pop for generations.
More than six decades later, both songs remain cherished examples of his early artistry. One is bright and buoyant; the other is tender and reflective. Their paths to success were different, but together they helped launch a remarkable career.
So, which classic touches your heart more: “Wonderful! Wonderful!” or “It’s Not for Me to Say”?