Introduction:
In the late 1980s and early 1990s, when country music was experiencing a significant resurgence, Ricky Van Shelton emerged as a prominent voice, celebrated for his smooth, traditional delivery and his ability to infuse classic sounds with contemporary appeal. Among his many successes, his rendition of “Oh, Pretty Woman,” released in 1990, stands as a fascinating example of how a familiar tune can be reimagined and find new life within a different musical idiom. This iconic song, originally a rock and roll standard, found a comfortable and fitting home within the country music genre through Shelton’s heartfelt interpretation.
While the original “Oh, Pretty Woman” by Roy Orbison is etched into the annals of rock and roll history, Ricky Van Shelton’s decision to cover the track for his album RVS III was a testament to the song’s universal lyrical appeal and melodic strength. Released on January 16, 1990, RVS III was a critically and commercially successful album for Shelton, reaching number 1 on the US Top Country Albums chart and earning Platinum certification from the RIAA by April 8, 1991. The album yielded several hit singles, though interestingly, “Oh, Pretty Woman” itself was not one of the designated singles to chart individually from the album. Its inclusion, however, contributed significantly to the album’s overall widespread popularity and showcased Shelton’s range.
Shelton’s approach to “Oh, Pretty Woman” was a respectful yet distinct reinterpretation. He maintained the infectious energy of the original but filtered it through his characteristic country sensibilities. His warm baritone voice brought a different nuance to the lyrics, offering a slightly more understated and personable charm compared to Orbison’s dramatic operatic style. The instrumentation, while still vibrant, leaned into country arrangements with steel guitar and fiddle elements subtly woven into the fabric of the song, transforming its rock and roll swagger into a more grounded, yet equally captivating, country appeal.
The decision to include such a universally recognized pop-rock hit on a country album was a clever move, demonstrating the crossover appeal of both the song itself and Shelton’s artistry. It allowed long-time fans of Orbison to appreciate a new take on a beloved classic, while simultaneously introducing the timeless melody to a country audience who might not have been as familiar with the original. This cross-pollination of genres contributed to the broader appeal of RVS III and highlighted Shelton’s comfort in interpreting diverse material.
In essence, Ricky Van Shelton’s “Oh, Pretty Woman” on the RVS III album is a testament to the enduring power of a well-crafted song and the ability of a talented artist to make it their own, regardless of genre. It stands as a prime example of how artistic homage can not only honor the original but also introduce it to new generations and musical landscapes, proving that a truly great melody knows no boundaries.