Introduction:

 

“It’s Just a Matter of Time” is a timeless ballad written by Brook Benton, Clyde Otis, and Belford Hendricks, first released by Benton in 1959. Known for its rich, melancholic tone, the song became a significant hit, reaching No. 3 on the Billboard Hot 100 and topping the R&B chart. The song’s compelling lyrics and soulful melody resonated with listeners and inspired various renditions across multiple genres, making it a classic in American music history.

Gene Watson, a celebrated country artist, covered “It’s Just a Matter of Time” in 1979, delivering a rendition that added his distinctively traditional country flavor to the soulful original. Watson, known for his deep respect for classic country and honky-tonk sounds, brings a unique poignancy to the song through his emotive, smooth vocals. His version of the song contributed to its legacy in the country genre, resonating with fans who appreciate the blend of blues, country, and gospel influences in Watson’s music. His approach remains grounded in traditional country values, which has helped him remain relevant to fans of classic country music for over five decades.

Watson’s rendition stands alongside other successful covers, including those by country stars like Sonny James, Glen Campbell, and later Randy Travis. Each artist brought their unique style to the song, highlighting its universal appeal across different musical landscapes. This versatility cements “It’s Just a Matter of Time” as a staple in American music, enduring as both a soulful classic and a country favorite

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When Alan Jackson Chose Honor Over Applause: The night Alan Jackson quietly put his career on the line for George Jones is still spoken of in hushed, reverent tones. When the Country Music Association decided to trim a legend’s voice to fit a TV schedule, Jackson made a decision that echoed far beyond the stage—one that would forever define integrity in country music. It was the Country Music Association Awards in 1999, a polished celebration of Nashville’s finest. But beneath the lights and rehearsed smiles, something felt wrong to those who truly understood country music’s soul. The CMA had invited George Jones, the immortal “Possum,” to perform—then asked him to cut his song short. The song was Choices, a raw, unfiltered reflection of regret and redemption. Jones, weathered by life and fiercely proud of his art, refused. After decades of singing truth straight from the heart, he would not compress his story for the sake of television timing. When Jones was pulled from the performance, Alan Jackson stepped onto the stage. Instead of following the script, Jackson did the unthinkable—he stopped mid-song and sang the chorus of “Choices.” No announcement. No explanation. Just respect. In that moment, the room went still. It wasn’t rebellion—it was reverence. A younger star reminding the industry that country music was built on honesty, not convenience. And sometimes, the bravest thing an artist can do is stand still and let a legend be heard.